For all sales enquiries please contact Cynthia Corbett, Gallery Founder & Director:
info@thecynthiacorbettgallery.com
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Albert MontserratCadmium Jar, 2020Porcelain; Textured Glazes on Thrown Porcelain54 x 55 x 55 cm
21 1/4 x 21 5/8 x 21 5/8 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Albert MontserratGolden Jar, 2020Oil Spot – Glazed Thrown Porcelain57 x 54 x 54 cm
22 1/2 x 21 1/4 x 21 1/4 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Amy HughesA Wash with Couleur Vase in Purple, 2020Handbuilt porcelain footed vase with handles, glazed interior, painterly enamel colour wash with gold lustre detailing, inspired by 18th century French Porcelain wares and referencing a series of sketches by the Artist.Grogged Porcelain, Transparent Glaze, Gold Lustre and Enamel Painting40 x 26 cm
15 3/4 x 10 1/4 in. -
Amy HughesA Wash with Couleur Vase in Yellow, 2020Handbuilt porcelain footed vase with handles, glazed interior, painterly enamel colour wash with gold lustre detailing, inspired by 18th century French Porcelain wares and referencing a series of sketches by the Artist.Grogged Porcelain, Transparent Glaze, Gold Lustre and Enamel Painting40 x 26 cm
15 3/4 x 10 1/4 in. -
Chris KeenanPair of Limoges Porcelain Vessels, 2020Limoges Porcelain, Green and Tenmoku GlazesDimensions variable:
230 and 250 cm
90 1/2 and 98 3/8 in. -
Chris KeenanRange, 2020Limoges Porcelain, Green and Tenmoku GlazesDimensions variable;
140 – 155 cm
55 1/8 – 61 1/8 in. -
Cristina VezziniFragment; Intaglio, 2016Fragment is a porcelain vase inspired by rock formation. Each vase is cast and later carved by hand, making it unique each time.
Its surface is hand carved following the faceted form of the vase. The different textured surfaces create an interplay between light and shadow.Parian, Porcelain25 x 15 cm
9 7/8 x 5 7/8 in. -
Cristina VezziniFragment; Large vase, 2016Please note this listing is for the large vase only. Please refer to Fragment; Intaglio and Fragment; Geometric for the information about two small vases.
Fragment is a porcelain vase inspired by rock formation. Each vase is cast and later carved by hand, making it unique each time.
Its surface is hand carved following the faceted form of the vase. The different textured surfaces create an interplay between light and shadow.Parian, Porcelain43 x 24 cm
16 7/8 x 9 1/2 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Cristina VezziniFragment; Geometric, 2016Fragment is a porcelain vase inspired by rock formation. Each vase is cast and later carved by hand, making it unique each time.
Its surface is hand carved following the faceted form of the vase. The different textured surfaces create an interplay between light and shadow.Parian, Porcelain25 x 15 cm
9 7/8 x 5 7/8 in. -
Christopher RiggioLarge Carrier Vessel, 2020Earthenware, Glass25 x 14 x 14 cm
9 7/8 x 5 1/2 x 5 1/2 in. -
Christopher RiggioTall Striped Vase, 2020Earthenware, Glass32 x 13 x 13 cm
12 5/8 x 5 1/8 x 5 1/8 in. -
Christopher RiggioSweets Jar, 2020Earthenware, Glass23 x 17 x 17 cm
9 1/8 x 6 3/4 x 6 3/4 in. -
Emma FinchCity's Gold River, 2016Grogged white earthenware with 22ct gold. Integral adjustable hanging wire on reverse.Hand printed and painted ceramic platter, depicting London cityscape with Shard and Gold enhancement representing the river Thames.Diameter:
55 cm
21 5/8 in. -
Emma FinchPO Tower & Gold Thames, 2016Hand printed and painted ceramic platter, depicting London cityscape with BT tower and Gold enhancement representing the river Thames and tributaries.Grogged white earthenware with 22ct gold. Integral adjustable hanging wire on reverse.Diameter:
55 cm
21 5/8 in. -
Chris BrambleLong Neck Lidded Jar, 2019Thrown, Sculpted In Parts And Assembled Stoneware, Glazed In Lucy Rie White.68 x 25 cm
26 3/4 x 9 7/8 in. -
Chris Bramble3 Women: Support Each Other For Strength And Wellbeing, 2019Thrown, Sculpted In Parts And Assembled Stoneware, Glazed In Lucy Rie White.50 x 26 cm
19 3/4 x 10 1/4 in. -
Jo TaylorAtonal I, 2018Grogged Porcelain16 x 15 x 6 cm
6 1/4 x 5 7/8 x 2 3/8 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Jo TaylorAtonal II, 2018Grogged Porcelain16 x 14 x 6.5 cm
6 1/4 x 5 1/2 x 2 1/2 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
John Higgins CPAConcave Form, 2020High Fired EarthenwareDiameter 50 cm
Diameter 19 3/4 in. -
Judy McKenzieSpring Has Sprung, 2020Porcelain Nerikomi Wall plaques
Each plaque has been made from porcelain, and constructed by using the process of Nerikomi, a Japanese technique using multiple pieces of coloured and patterned porcelain. Where small fissures have occurred, silver Kintsugi has been applied.
The plaques are fitted with a mounting system for display, and the bracket can be attached to a wall using two screws.
PorcelainDiameter:
31 cm
12 1/4 in.
Weight: 2,5kg -
Judy McKenzieBluebell Wood Escape, 2020Porcelain Nerikomi Wall plaques
Each plaque has been made from porcelain, and constructed by using the process of Nerikomi, a Japanese technique using multiple pieces of coloured and patterned porcelain. Where small fissures have occurred, silver Kintsugi has been applied.
The plaques are fitted with a mounting system for display, and the bracket can be attached to a wall using two screws.
PorcelainDiameter:
31 cm
12 1/4 in.
Weight: 2,5kg -
Matt Smith (British)Horse, 2018Black Parian18 x 30 x 13 cm
7 1/8 x 11 3/4 x 5 1/8 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Matt Smith (British)Double Headed Girl, 2018White Parian14 x 20 x 55 cm
5 1/2 x 7 7/8 x 21 5/8 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Matt Smith (British)Wunderkammer II 13, Spouts with Pearls, 2017Black Parian with Freshwater Pearls22 x 13 x 45 cm
8 5/8 x 5 1/8 x 17 3/4 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Michel FrançoisMidnight Moonjar, 2020Black Amber Glaze made with French Ochre and a Hint of Cobalt Overlayed with a Willow Jun Glaze.32 x 26 cm
12 5/8 x 10 1/4 in. -
Michel FrançoisPurple Rain Moonjar, 2020Chestnut Ash Flambé Jun Glaze on a Porcelain and Cornish Clay Body.
45 x 48 cm
17 3/4 x 18 7/8 in. -
Rafaela de AscanioBlush Response, 2019In Ridley Scott’s 80’s cult film Blade Runner, Rick Deckard uses a test called the Blush Response to discover rogue androids which he must exterminate. This vase is an homage to two iconic scenes: the neo-noir meeting between Rick and the sultry android Rachel, and Rutger Hauer’s beautiful Tears in the Rain monologue. The vase is shaped as an ancient roman amphora, which can be displayed lying down or standing up.Underglaze and Glaze on Stoneware48 x 22 x 22 cm
18 7/8 x 8 5/8 x 8 5/8 in. -
Rafaela de AscanioNo tree survives alone in the forest. When one tree falls ill, we all send food. For if one tree dies, the canopy is broken., 2019This vessel holds a secret, levitating kingdom, supported by interwoven roots below and sheltered by a canopy above. A woman and a gnome figure float through the tree roots communicating with them about the future. The imagery references both utopic ‘Laputa’ from Studio Ghibli’s ‘Castle in the Sky’ and Netflix’s supernatural, sci-fi drama 'The OA’, where an angel is forewarned by the spirit of a giant tree.Underglaze and Glaze on Stoneware55 x 45 cm
21 5/8 x 17 3/4 in. -
Tanya GomezLarge Tyrian, 2020Limoges porcelain, thrown on the wheel, fired 1280°35 x 24 cm
13 3/4 x 9 1/2 in. -
Tanya GomezLarge Mazarine, 2020Limoges porcelain, thrown on the wheel, fired 1280°33 x 30 cm
13 x 11 3/4 in. -
Tim MartinFreeway to Palm Springs. Summer, 3pm., 2019Sprayed Slip Glaze On Red ClayTable-hung construction.
30 x 20 x 30 cm
11 3/4 x 7 7/8 x 11 3/4 in. -
Tim MartinSpring Dusk, St Gabriel Mountain Drive., 2019Sprayed slip and metallic glazes on red and black clays.2 pieces: table-hung and table-placed construction
86 x 25 x 10 cm
33 7/8 x 9 7/8 x 4 in. -
James PeggXXL Slant, 2019Porcelain51 x 16 cm
20 1/8 x 6 1/4 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist
The Cynthia Corbett Gallery is proud to announce our first online ceramics exhibition, entitled Clay Today: A Showcase Of Ceramics In Isolation, curated by the Young Masters Maylis Grand Ceramics Prize Judge and Curator Preston Fitzgerald. The exhibition has eighteen international artists working in all mediums of clay, earthenware, stoneware and porcelain. The ethos behind this show is to provide a platform for artists and makers working in isolation due to the pandemic which has been very challenging for their working practices and for the production of their objects. The works presented here reflect various directions that these artists followed while adjusting their work processes and treatment of materials, given the constraints of isolation. All the artists are dealing with the challenge of exhibiting work that is tactile and multi-dimensional as physical exhibitions have been curtailed, cancelled and many galleries have had to adjust their programming.
All the artists are strong believers in giving back to their community. Therefore, we have chosen The Craft Pottery Charitable Trust (CPCT) as the beneficiary of 10% of all sales. The CPCT is the charity of The Craft Potters Association (CPA), a UK organisation which has been promoting contemporary studio ceramic artists for over 60 years. We have four CPA members in the exhibition: Chris Bramble, Tanya Gomez, John Higgins and Chris Keenan. Thus, we are pleased that all ceramic sales will help other ceramic artists through the disbursement of these funds from The CPCT.
Fitzgerald comments: 'The tradition of promoting artists working in clay is very much the ethos of The Young Masters Maylis Grand Ceramics Prize (YM) started by Cynthia Corbett in 2014 and which I am proud to be a Judge and Curator. The YM alumni artists participating in Clay Today include YM Prize winner and Highly Acclaimed ceramicist Matt Smith, who currently has a solo exhibition at the Pitts Rivers Museum in Oxford, as well as fellow shortlisted YM Prize artists: former V&A artist-in-residence Amy Hughes, Jo Taylor, whose recent works can be seen at the Korean Ceramics Biennale, and Albert Montserrat.'
We hope that you enjoy this online exhibition Clay Today and are impressed by the range and breadth of art that can be achieved with the medium of clay.
- Preston Fitzgerald, Curator, and Cynthia Valianti Corbett, Founder & Director.
All the artists are strong believers in giving back to their community. Therefore, we have chosen The Craft Pottery Charitable Trust (CPCT) as the beneficiary of 10% of all sales. The CPCT is the charity of The Craft Potters Association (CPA), a UK organisation which has been promoting contemporary studio ceramic artists for over 60 years. We have four CPA members in the exhibition: Chris Bramble, Tanya Gomez, John Higgins and Chris Keenan. Thus, we are pleased that all ceramic sales will help other ceramic artists through the disbursement of these funds from The CPCT.
Fitzgerald comments: 'The tradition of promoting artists working in clay is very much the ethos of The Young Masters Maylis Grand Ceramics Prize (YM) started by Cynthia Corbett in 2014 and which I am proud to be a Judge and Curator. The YM alumni artists participating in Clay Today include YM Prize winner and Highly Acclaimed ceramicist Matt Smith, who currently has a solo exhibition at the Pitts Rivers Museum in Oxford, as well as fellow shortlisted YM Prize artists: former V&A artist-in-residence Amy Hughes, Jo Taylor, whose recent works can be seen at the Korean Ceramics Biennale, and Albert Montserrat.'
We hope that you enjoy this online exhibition Clay Today and are impressed by the range and breadth of art that can be achieved with the medium of clay.
- Preston Fitzgerald, Curator, and Cynthia Valianti Corbett, Founder & Director.
