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Thrilled to be presenting a much anticipated Deborah Azzopardi Solo Exhibition: "Aspects of Glamour" during 26th June - 1st July 2023 at the 67 York Street Gallery (67A York St, London W1H 1QB)
Thrilled to be presenting a much anticipated Deborah Azzopardi Solo Exhibition: "Aspects of Glamour" during 26th June - 1st July 2023 at the 67 York Street Gallery (67A York St, London W1H 1QB)
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Deborah AzzopardiPhysical Attraction 2, 2020Acrylic on 400g PaperFramed
61 x 61 cm
24 x 24 in. -
Deborah AzzopardiSide Exit, c. 2004Acrylic on 450g paperFramed
72 x 67 cm
28 1/4 x 26 1/2 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiThe Great Escape, 2015Limited Edition Silkscreen Print with Platinum Leaf on Somerset Tub Sized 410g.Framed:
124 x 110 cm
48 7/8 x 43 1/4 in.
Unframed:
101.1 x 86.1 cm
39 3/4 x 33 7/8 in.Edition of 15 plus 1 artist's proof (#14/15)Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiLove is the Answer..., 2016Created by the artist at the request of Mitch and Janis Winehouse as a tribute to their daughter.
Signed by the Artist, Mrs Janis Winehouse and Mr Mitch Winehouse.Limited Edition Silkscreen Print with Platinum Leaf on 410g Somerset Tub Paper.Framed
145.4 x 110 cm
57 1/4 x 43 1/4 in.Edition of 15 (#14/15)Courtesy of Cynthia Corbett Gallery -
Deborah AzzopardiMayfair Trenchcoats, 2005Acrylic On BoardFramed
99 x 126 cm
39 x 49 1/2 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiSummer Breeze, 2022Acrylic on 640g Arches paper.Framed
137 x 96.5 cm
54 x 38 in.
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Deborah AzzopardiUnplanned, c. 1991 & 2018Hand embellished screen print, printed on cardFramed
123 x 86.5 cm
48 1/2 x 34 in.Edition of 10 (#3/10)Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiFirebird, 2016Limited Edition Screen Print on 410g Somerset Tub.
Platinum leaf on the car.
Silver leaf with varnish on the wing mirror.111 x 130 cm
43 3/4 x 51 1/4 in.Edition of 15 (#1/15)Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiSave the Date, 2018Limited Edition Silkscreen Print with Silver Leaf on 410g Somerset SatinTub.Framed
114 x 114 cm
45 x 45 in.Edition of 15 (#4/15)Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiPure Gold, 2013Real 24 carat gold leaf background, 410gsm Somerset TubUnframed:
86.4 x 86.4 cm
34 x 34 in.
Framed:
110 x 110 cm
43 1/4 x 43 1/4 in.
Edition of 12 (#10/12)Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiMonday Morning, 2007Limited Edition Silkscreen Print on 300gsm weight Claro silk paper.Framed
110.5 x 110.5 cm
43 1/2 x 43 1/2 in.
Edition of 50 (#26/50)Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiBbrrrinnnggg, 2007Signed and NumberedLimited Edition Silkscreen Print on 300gsm weight Claro Silk PaperFramed:
110 x 110 cm
43 1/4 x 43 1/4 in.Edition of 50 (#29/50)Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiBing Bong, 2007Signed and NumberedLimited Edition Screen Print on 300gsm weight Claro silk paper.Framed
110 x 110 cm
43 1/4 x 43 1/4 in.Edition of 50 (#14/50)Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiHe Loves Me, He Loves Me Not, 2011Limited Edition Silkscreen PrintFramed:
80 x 110 cm
31 1/2 x 43 1/4 in.Edition of 12 (#12/12)Courtesy of Cynthia Corbett Gallery -
Deborah AzzopardiI'll Close My Eyes, 2017Acrylic on 400g PaperFramed
136 x 69 cm
53 1/2 x 27 1/4 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiCheeky again, 2020Acrylic on 640g Arches paper. (Unframed)99.1 x 74.9 cm
39 x 29 1/2 in. -
Deborah AzzopardiGREEN LIGHT , 2020Acrylic on 300g. paper (Unframed)Framed:
61 x 48.3 cm
24 x 19 in. -
Deborah AzzopardiDivided, 2020Acrylic on 640g Arches 100% cotton paper. (Unframed)Framed:
33 x 48.3 cm
13 x 19 in. -
Deborah AzzopardiThe Special Bow Tie, 2020Acrylic on 640g, Arches paper.Framed:
54.6 x 76.2 cm
21 1/2 x 30 in. -
Deborah AzzopardiGiggles, 2022Acrylic on 640g Arches paperImage size:
27.9 x 38.1 cm
11 x 15 in.
Frame Size:
39.4 x 48.9 cm
15 1/2 x 19 1/4 in. -
Deborah AzzopardiThat's The Way Love Goes, 2016Acrylic on 400g paperFramed:
136 x 96 cm
53 1/2 x 37 3/4 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiFemme Fatale, 2016Acrylic on 400g Arches Paper66 x 79 cm
26 x 31 1/8 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiFemale Intuition, 2016Acrylic on 640g Arches PaperFramed
97.5 x 70.4 cm
38 1/2 x 27 3/4 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiEverlasting Love, 2017Acrylic on PaperUnframed
53 x 25 cm
20 7/8 x 9 7/8 in.
Framed
73 x 45 cm
28 3/4 x 17 3/4 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiRacing Heart, 2017Acrylic on PaperUnframed
69.5 x 25.5 cm
27 3/8 x 10 1/8 in.
Framed
79.5 x 45 cm
31 1/4 x 17 3/4 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiGossip, 2016Limited Edition Silkscreen PrintFramed
107 x 110 cm
42 1/4 x 43 1/4 in.Edition of 10 (#6/10)Courtesy of Cynthia Corbett Gallery -
Deborah AzzopardiGuilty Pleasure, 2016Acrylic on 640g Arches PaperFramed
88 x 62 cm
34 3/4 x 24 1/2 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiThinking Of Nature, 2022Acrylic on 640g Arches paperFramed
92.5 x 119 cm
36 1/2 x 46 3/4 in. -
Deborah AzzopardiDeborah Azzopardi, Box Set (Cheeky & Follow me), 2022Screen Prints
Paper; 410g Somerset Tub.2 x A5 (15 x 21 cm) Artist ProofEdition of 30 plus 6 artist's proofs (#9/30)Courtesy of Cynthia Corbett GalleryCopyright The Artist -
Deborah AzzopardiDeborah Azzopardi’s ‘Artist Edition’ of the ‘SSHH’ Coffee Table BookSigned copycomprising 228 pages printed on 170gsm Ebb Chorus Silk Paper. Showcasing Azzopardi’s work and featuring more than 100 of her celebrated images. Behind-the-scenes supplement includes studio photographs by Cristina Schek. Deborah Azzopardi’s debut book has an introduction by art critic, historian and journalist Estelle Lovatt FRSA and Angus Granlund, from Christie’s London.30.7 x 30.7 cm
12 1/8 x 12 1/8 in.Courtesy of Cynthia Corbett GalleryCopyright The Artist
America has Lichtenstein, we have Azzopardi!’ - Estelle Lovatt FRSA
Deborah Azzopardi acquired her worldwide fame for the joyous Pop Art images she has created over the past 39 years. Her unique and feminine take on contemporary art is best described by the esteemed art critic Estelle Lovatt: ‘America has Lichtenstein, we have Azzopardi!’ Lovatt goes on to comment: “Sometimes you just want to curl up under a blanket. With a good book. A piece of chocolate. A man. This is what Deborah Azzopardi’s pictures make me feel like doing. They are me. They remind me of the time I had a red convertible sports car. I had two, actually. And yes, they are you, too. You immediately, automatically, engage with the narrative of Azzopardi’s conversational visual humour. Laughter is the best aphrodisiac, as you know. ... There’s plenty of art historical references from... Manet’s suggestive ‘Olympia’; Boucher’s thought-provoking... ‘Louise O’Murphy’ and Fragonard’s frivolous, knickerless, ‘The Swing’.... Unique in approach, you easily recognise an Azzopardi picture. ... Working simple graphics and toned shading (for depth), the Pop Art line that Azzopardi sketches is different to Lichtenstein’s. Hers is more curvaceous. Feminine.”
The world is familiar with Azzopardi’s artworks, as many of them have been published internationally. Her original paintings, such as the Habitat ‘Dating’ series (2004/08), the iconic ...One Lump Or Two? (2014) and Love Is The Answer(2016), created by the artist at the request of Mitch and Janis Winehouse as a tribute to their daughter, are in great demand.
Deborah Azzopardi acquired her worldwide fame for the joyous Pop Art images she has created over the past 39 years. Her unique and feminine take on contemporary art is best described by the esteemed art critic Estelle Lovatt: ‘America has Lichtenstein, we have Azzopardi!’ Lovatt goes on to comment: “Sometimes you just want to curl up under a blanket. With a good book. A piece of chocolate. A man. This is what Deborah Azzopardi’s pictures make me feel like doing. They are me. They remind me of the time I had a red convertible sports car. I had two, actually. And yes, they are you, too. You immediately, automatically, engage with the narrative of Azzopardi’s conversational visual humour. Laughter is the best aphrodisiac, as you know. ... There’s plenty of art historical references from... Manet’s suggestive ‘Olympia’; Boucher’s thought-provoking... ‘Louise O’Murphy’ and Fragonard’s frivolous, knickerless, ‘The Swing’.... Unique in approach, you easily recognise an Azzopardi picture. ... Working simple graphics and toned shading (for depth), the Pop Art line that Azzopardi sketches is different to Lichtenstein’s. Hers is more curvaceous. Feminine.”
The world is familiar with Azzopardi’s artworks, as many of them have been published internationally. Her original paintings, such as the Habitat ‘Dating’ series (2004/08), the iconic ...One Lump Or Two? (2014) and Love Is The Answer(2016), created by the artist at the request of Mitch and Janis Winehouse as a tribute to their daughter, are in great demand.
