PRESS RELEASE |
Works Currently on show at the Cynthia Corbett Gallery in Wimbledon. Contact us for more details |
THE CYNTHIA CORBETT GALLERY
PRESENTS |
H.C.HANNA
THREE YELLOWS
At the Gallery
5 Blenheim Crescent, Notting Hill W11
11 – 25 March 2007
Private View Tuesday 20 March 6.30 –9.30pm
Reception Saturday 24 March noon – 6pm
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The temptation to call H. Craig Hanna a fashionable young painter is great. His credentials include being in the private collections of Marc Jacobs, Drew Barrymore, Neil La Bute, Chris Bailey, J.Lindberg and Cynthia Rowley. He has had one man shows at the Groucho Club in London and the gallery at Bergdorf Goodman in New York and, if that were not enough, he subsidised his graduate studies in New York as a model for designers such as Calvin Klein and Gianfranco Ferré.
However, Mr Hanna sees his work as anything but trendy. Trained in the classical tradition at the School of Visual Arts in New York, Hanna's work is timeless. Winning such awards as The National Portrait Gallery’s BP competition, Hanna shows us his colours.
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His latest figurative works to be exhibited at The Cynthia Corbett Gallery strike the viewer immediately with their balance of color and tone. This immediate attraction then leads to the novel revelation that Hanna is a painter who can actually paint. Hanna's gift for line and form is clear, conjuring up vivid portraits and nudes that effortlessly add both structure and soul to his subtle compositions.
Craig Hanna is a painter with the utmost respect for his heritage and the classical technique in which he schooled however his aesthetic reflects a modern world of graphic influences and streetwise colour sense. Close tones vibrate against the calm beauty of a single nude figure in one of Hanna's diptych series. Whilst his compositions play with tonal values and the textures of brushwork, stained wood grain and 'found' surfaces such as road paint and rubberised canvas, the main focus is always figurative.
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Hanna's figures are presented in a variety of poses and states of dress, the nudes, not shy are nevertheless given dignity by Hanna's assured technique. Languid poses are made vital by the energy of the brush and the immediacy of paint retained by loose but perfectly timed brushwork.
This careful orchestration of the palette and seemingly effortless technique produces paintings of exceptional beauty. 'Beautiful paintings are not very fashionable at the moment' admits the artist, 'but artists should never follow trends, they should set them'.
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