PRESS RELEASE
The Cynthia Corbett Gallery presents

CYNTHIA KARALLA

THE BABY GRAND PIANO

11 – 14 October 2007

Bridge Art Fair | London
Room 101
trafalgar hotel | Trafalgar Square | SW1A 2TS

Ebony and ivory live together in perfect harmony
Side by side on my piano keyboard, oh lord why don’t we?

The Baby Grand Piano is a photomontage of 88 penises (52 white and 36 black) photographed and digitally assembled to make a 60-inch piano keyboard. Karalla studied the construction of a piano, took some 20,000 photographs over a period of two years in Southern Italy and New York City, and built the 7 octaves of the instrument.

 

Shooting the Piano - photo by Mary Beth Acosta

In The Baby Grand Piano, Karalla explores a key taboo, the penis. Some societies tend to view the penis as ugly and something that should not be seen, touched or even discussed. The Baby Grand Piano encourages both participant and viewer to re-examine their relationship to this powerful subject. Women played an unprecedented role in banding together and bringing their men to Karalla, while the men themselves – as the faceless donors - were freed of identity and class. 

For the viewer The Baby Grand Piano is an invitation to investigate not only personal but also cultural attitudes towards the penis, such as the question of circumcision, and the differences between rural Italy and urban America. Beyond that the work presents the viewer with a glimpse of prohibited knowledge, a forbidden fruit as timeless as that on the Tree of Knowledge that stood before Adam and Eve.  As such it encourages, dares even, the viewer to experience a moment of transgression in seeing a taboo image presented in a new context. As Karalla herself says, ‘As an artist, I am constantly exploring the barriers that Culture imposes. I ponder what would happen if these restrictions were to lose their hold upon us.  The Baby Grand Piano is the result of this examination, through which I aim to create a community of transgression.’

Karalla works between the modern backdrop of New York City and the rural south of Basilicata, Italy. Between these two landscapes, the inhabitants participate in order for her projects to take on a life of their own.  Heavily draped in the Catholic order, Italy intertwines with its opposite, the land of freedom, New York City; her projects bring the communities of people together. The participants that are involved are also challenged, questioning their beliefs, cultural upbringing and identity within their community. 

Cynthia Karalla was born in Detroit Michigan, 1966. She has exhibited in United States, Canada, Italy, Switzerland, and Japan.  Collections include MOMA, NY, Cooper-Hewitt Museum, NY, New York Public Library, Yokohama Museum, Japan, Daniel Katz, London, UK and Edward R. Down Jr., USA.

The Cynthia Corbett Gallery, an international contemporary art gallery, was founded in 2000 to showcase mid-career American, British and European artists, and is a regular exhibitor at major contemporary art fairs and curates exhibitions.  corbettPROJECTS, launched in 2004, exhibits young, emerging and experimental artists in a variety of media including painting, sculpture, photography, video installation and performance art. Particular emphasis is placed upon building the careers of new graduates from British and Scottish art colleges.  corbettPROJECTS has an annual program of exhibitions, curates project spaces including hotels, shops, galleries and warehouses, both nationally and internationally, and operates from innovative spaces designed to bring art into unexpected environments, thereby enhancing the appreciation of the viewer.  As an international gallerist, Cynthia Corbett participates widely in art fairs and is especially passionate about video art.

 


 
For enquiries contact The Cynthia Corbett Gallery at

www.thecynthiacorbettgallery.com Email info@thecynthiacorbettgallery.com  
Tel: +44 (0) 208 947 6782